For now, forget about the big moments; birthdays, vacations, weddings, anniversaries, births, deaths. Try and remember an ordinary day in your life; when you had lunch and went shopping with a good friend, when you stayed inside watching old movies and rearranging your furniture or when you and your now spouse walked through the city, window-shopping. These are the moments that happen then disappear, but they are what make up our lives and they hold weight. If you reach far enough, you might remember that day when you, your mom and your little brother went down to the river, just to throw rocks and draw in the sand.
Why This Blog?
My business, Willow Street Films, is all about preserving memories in video. Why do I care about memories? This blog should help answer that. Enjoy.
Wednesday, March 9, 2011
Tuesday, March 1, 2011
My B.F.F. circa 1983
1980
My parents drive me to a ramshackle New Orleans' neighborhood lined with shotgun* houses where oodles of children are playing jacks and hoola hooping on front porches. A lady with slippers and a dozen yapping mutts around her heels shows us inside. In the middle of the back room there's a large cardboard box that is moving in little shakes and squeaks, like a wind-up toy running low on batteries. Inside is a mass of yellow puppies with crinkly ears and runny, pink noses. Without hesitating, I choose the runt. She's definitely the most scrawny, lonely looking pup in the box. It would be nice to think I chose her out of compassion, but really it's an annoying, unrelenting sense of duty to the underdog. I force a smile as I lift this pitiful creature away from its mother and place her in a hamster-smelling Nike shoe box which the slippered woman hands me. On our drive home, I can hear her little paws sliding over the bottom of the box and the dull thud of her body hitting the walls as my father turns sharp corners, and it makes me want to cry. Neither the dog or I are fooled. She knows her peaceful life was just permanently interrupted, and I know what my parents are up to. It's not that I can't appreciate a store-bought friend, but I want a real one.
*Shotgun House: The southern term for a house with "floor-through" architecture
1983-1986 (roughly)
My mother is taking me to my first day of drama camp. I'm riding in the back of our 1980 robin's egg blue Oldsmobile. It's New Orleans hot. My chicken-bone thighs are stuck to the plastic seats, and I have butterflies so bad it hurts and is threatening my bowels. I don't like going places where I don't know anybody, and I'm not even sure what "drama" means, only that my parents often accuse my two teenage sisters of it. The director of the camp meets us at the door. This helps. She is a peppy, blonde Tulane drama student who, because she is pretty, I instantly idolize. Children are shallow. But beyond her are the faces of the very girls who terrify me, older, smarter, richer, prettier girls who look at me like I am old chewing gum on the bottom of their espadrilles. And then I see a face I recognize, a girl from my Catholic grade school who I don't know that well. It doesn't matter. God has just intervened. I can see it on her face too, and we agree with one look, that this hell our parents have assigned us to for six weeks will now be bearable. I tell my mother she can go now.
We spend the remainder of our camp days sitting in the back row and snickering at the older girls who dance and sing ridiculously to Oklahoma and Pippin. We bond over the hillarity and embarrassment in the way the camp director pronounces, "pianist" (pee-nist) and laugh so uncontrollably that we are ordered from the room. Of course we didn't know that was how you really pronounce it.
This is the friend* and these are the childhood memories where I am my happiest and most free. Amazing how it can all start with a look. From that summer on, we spent countless hours, years together and we unearthed a world I never knew existed, one that cannot exist between a girl and her dog.
* For the sake of privacy, I will call her "S".
Your House or Mine?
S and I sit at her dining room table with pen and paper. We make a list of enticements regarding her house and mine. This is a solution we've developed, a friendly ritual for deciding whose house to play at on any given day. The list would look something like this.
Aubrey's House S's House
trampoline the big swing
hideout under the stairs walk to Langensteins Grocery
Plum Street snowballs the neighbor's pool
the dog the neighbor's kids
the food game
egg toss
the tree on the neutral ground
You can easily see how my case was won. I, being practically an only child (due to a major age gap between me and my sisters) and from a home where my mother was always there with a relaxed but watchful eye, craved the freedom of her house. She, being the youngest of five children and from a home where both parents were either working or sort-of over the whole parenting thing, craved the safety of mine. At least that's how I perceive it now. Thus, 99.9% of my memories with her are under her roof and just outside it.
We would go into the refrigerator, unload an entire carton of newly-bought eggs into our pockets and head outside. We would then throw them back and forth to each other, one by one, slowly increasing the distance between us until each egg failed to reach its receiver and landed with a splat on the sizzling southern sidewalk. What could have possibly become of this mess? We sure as hell never cleaned it up. Nor did a soul ever question why there were no eggs for their omelet the next morning.
We were naughty and, if memory serves right, we rarely if ever got caught. We stayed up as late as we wanted playing truth or dare with her older brother, who terrified me. Playing with two little girls, this teenage boy had nothing to gain from the "truth" portion of this game, so he focused on "dare". He once dared S to ride her bike down St. Charles Avenue in nothing but her underwear at ten o'clock at night. There are many horrifying aspects to this dare. 1) St. Charles Avenue is a major street running through New Orleans, the street of the infamous green and red street car. 2) New Orleans had and still has one of the highest crime rates in the nation. 2) S was a nine year old girl about to ride a bike at night in nothing but her Strawberry Shortcake skivvies. She cried so hard he agreed to let her wear a t-shirt too. But she went through with it, and I remember standing on her front porch, next to her sneering brother, nervously waiting for her shadow to return to the streetlight.
There was more refrigerator fun. "The Food Game" was when one of us was made to wait patiently in the living room while the other went into the fridge (the sort that is dark, dense and has things morphing at the back of it), and concocted the most disgusting combination of things that imagination could behold. Rule #1- The eater was NOT allowed to ask what was on the spoon, fork or cup. Rule #2- The eater HAD to eat it. All of it. Reader, I will leave the rest of this game to your vivid imagination.
I will speed the flashbacks along for the sake of blog attention span... There was the time we rubbed donuts on my sister's steering wheel just to see her squirm. And the time we literally outran a hurricane together, from the Florida Panhandle to Montgomery, Alabama. And the time we "babysat" a one-year-old and decided we wanted him to look like John Travolta in "Grease" so put an entire jar of Vaseline in his hair only to discover it doesn't wash out (even after five hair washings and lots of crying on his part). And the time we awoke at her house and found a handgun on the kitchen table, left there by someone who attempted robbery while we were sleeping (New Orleans' criminals are so damn dumb). And the time, when we thought we were too old to play with dolls, so we locked her bedroom door and made a pact not to tell anyone. Only a B.F.F. lives up to that pact.
S and I moved on and away from each other in Junior High. It happens. That's why these stories are like liquid gold because we all know, even when we promise it, that the last "F" in B.F.F. is a lie. Nothing's forever.
There's space to share your memories below.
My parents drive me to a ramshackle New Orleans' neighborhood lined with shotgun* houses where oodles of children are playing jacks and hoola hooping on front porches. A lady with slippers and a dozen yapping mutts around her heels shows us inside. In the middle of the back room there's a large cardboard box that is moving in little shakes and squeaks, like a wind-up toy running low on batteries. Inside is a mass of yellow puppies with crinkly ears and runny, pink noses. Without hesitating, I choose the runt. She's definitely the most scrawny, lonely looking pup in the box. It would be nice to think I chose her out of compassion, but really it's an annoying, unrelenting sense of duty to the underdog. I force a smile as I lift this pitiful creature away from its mother and place her in a hamster-smelling Nike shoe box which the slippered woman hands me. On our drive home, I can hear her little paws sliding over the bottom of the box and the dull thud of her body hitting the walls as my father turns sharp corners, and it makes me want to cry. Neither the dog or I are fooled. She knows her peaceful life was just permanently interrupted, and I know what my parents are up to. It's not that I can't appreciate a store-bought friend, but I want a real one.
*Shotgun House: The southern term for a house with "floor-through" architecture
1983-1986 (roughly)
My mother is taking me to my first day of drama camp. I'm riding in the back of our 1980 robin's egg blue Oldsmobile. It's New Orleans hot. My chicken-bone thighs are stuck to the plastic seats, and I have butterflies so bad it hurts and is threatening my bowels. I don't like going places where I don't know anybody, and I'm not even sure what "drama" means, only that my parents often accuse my two teenage sisters of it. The director of the camp meets us at the door. This helps. She is a peppy, blonde Tulane drama student who, because she is pretty, I instantly idolize. Children are shallow. But beyond her are the faces of the very girls who terrify me, older, smarter, richer, prettier girls who look at me like I am old chewing gum on the bottom of their espadrilles. And then I see a face I recognize, a girl from my Catholic grade school who I don't know that well. It doesn't matter. God has just intervened. I can see it on her face too, and we agree with one look, that this hell our parents have assigned us to for six weeks will now be bearable. I tell my mother she can go now.
We spend the remainder of our camp days sitting in the back row and snickering at the older girls who dance and sing ridiculously to Oklahoma and Pippin. We bond over the hillarity and embarrassment in the way the camp director pronounces, "pianist" (pee-nist) and laugh so uncontrollably that we are ordered from the room. Of course we didn't know that was how you really pronounce it.
This is the friend* and these are the childhood memories where I am my happiest and most free. Amazing how it can all start with a look. From that summer on, we spent countless hours, years together and we unearthed a world I never knew existed, one that cannot exist between a girl and her dog.
* For the sake of privacy, I will call her "S".
Your House or Mine?
S and I sit at her dining room table with pen and paper. We make a list of enticements regarding her house and mine. This is a solution we've developed, a friendly ritual for deciding whose house to play at on any given day. The list would look something like this.
Aubrey's House S's House
trampoline the big swing
hideout under the stairs walk to Langensteins Grocery
Plum Street snowballs the neighbor's pool
the dog the neighbor's kids
the food game
egg toss
the tree on the neutral ground
You can easily see how my case was won. I, being practically an only child (due to a major age gap between me and my sisters) and from a home where my mother was always there with a relaxed but watchful eye, craved the freedom of her house. She, being the youngest of five children and from a home where both parents were either working or sort-of over the whole parenting thing, craved the safety of mine. At least that's how I perceive it now. Thus, 99.9% of my memories with her are under her roof and just outside it.
We would go into the refrigerator, unload an entire carton of newly-bought eggs into our pockets and head outside. We would then throw them back and forth to each other, one by one, slowly increasing the distance between us until each egg failed to reach its receiver and landed with a splat on the sizzling southern sidewalk. What could have possibly become of this mess? We sure as hell never cleaned it up. Nor did a soul ever question why there were no eggs for their omelet the next morning.
We were naughty and, if memory serves right, we rarely if ever got caught. We stayed up as late as we wanted playing truth or dare with her older brother, who terrified me. Playing with two little girls, this teenage boy had nothing to gain from the "truth" portion of this game, so he focused on "dare". He once dared S to ride her bike down St. Charles Avenue in nothing but her underwear at ten o'clock at night. There are many horrifying aspects to this dare. 1) St. Charles Avenue is a major street running through New Orleans, the street of the infamous green and red street car. 2) New Orleans had and still has one of the highest crime rates in the nation. 2) S was a nine year old girl about to ride a bike at night in nothing but her Strawberry Shortcake skivvies. She cried so hard he agreed to let her wear a t-shirt too. But she went through with it, and I remember standing on her front porch, next to her sneering brother, nervously waiting for her shadow to return to the streetlight.
There was more refrigerator fun. "The Food Game" was when one of us was made to wait patiently in the living room while the other went into the fridge (the sort that is dark, dense and has things morphing at the back of it), and concocted the most disgusting combination of things that imagination could behold. Rule #1- The eater was NOT allowed to ask what was on the spoon, fork or cup. Rule #2- The eater HAD to eat it. All of it. Reader, I will leave the rest of this game to your vivid imagination.
I will speed the flashbacks along for the sake of blog attention span... There was the time we rubbed donuts on my sister's steering wheel just to see her squirm. And the time we literally outran a hurricane together, from the Florida Panhandle to Montgomery, Alabama. And the time we "babysat" a one-year-old and decided we wanted him to look like John Travolta in "Grease" so put an entire jar of Vaseline in his hair only to discover it doesn't wash out (even after five hair washings and lots of crying on his part). And the time we awoke at her house and found a handgun on the kitchen table, left there by someone who attempted robbery while we were sleeping (New Orleans' criminals are so damn dumb). And the time, when we thought we were too old to play with dolls, so we locked her bedroom door and made a pact not to tell anyone. Only a B.F.F. lives up to that pact.
S and I moved on and away from each other in Junior High. It happens. That's why these stories are like liquid gold because we all know, even when we promise it, that the last "F" in B.F.F. is a lie. Nothing's forever.
| To me, one of the greatest joys of being a parent is watching my son with his friends. They may not be his forever but they are most definitely his now. |
Friday, February 18, 2011
Ready
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| My sister Paige, me and my sister Leigh on my first birthday |
Picture this... I am sitting at my desk with my second cup of coffee, returning emails and trying to drum up creative ideas for spreading the word about Willow Street Films, my video editing company. Perched next to me on the desk is my video camera, which is digitizing, bit by bit, a family's years worth of memories and slowly feeding them into my hard drive.
Usually I just close the viewfinder as the footage is loading. I don't need to see little Edie blow the candles out on her 5th birthday cake or her baby brother playing with pots in the tub or her father's unsteady hand as he films his wife, unaware, planting impatiens in their front garden. I will see every inch of this soon enough when I go through the material, searching for the "best" memories and consolidating them into a "memory montage", which the family and anyone who loves them, can watch in one sitting.
Sometimes, however, I keep the viewfinder open. Maybe I forget or maybe I'm a little bit lonely, spending 7 days a week alone in a studio with Facebook being the closest thing to human contact. These strangers' memories are my unlikely company. Sometimes I'll glance over and check out what's going on in the family's life at that moment, and sometimes what I see will make me stop and watch. Maybe it's the little girl, in the movie, playing with a friend or riding a bike or rolling down a hill at the park. Inevitably, these scenes evoke memories of my own childhood, and I find myself, alone at my desk, steeped deeply in emotion, as Brooklyn rolls by outside. Couldn't I just have a normal job that doesn't involve the heart and nostalgia? No, it wouldn't suit. I'm mushy. And while I like to think of myself as someone who can really live in the moment, what I've chosen to do, professionally, challenges that.
But the reason I started Willow Street Films is because I believe in memories. Our memories are, if nothing else, unique. While we may share them with others, they are informed by who we are and by our experiences. These textured paths are what makes our world, our beautiful, horrible, joyous, depressing, complex world. I believe in preserving memories and sharing them, when it's right.
I would like to start this blog off by dedicating it to my sister, Leigh. Since she died, two years ago, it hasn't felt right to reach back and remember the stories from my past, many of which Leigh wasn't even directly a part of. Being nine years older, she led a life that was shrouded in mystery to me. There are images; cigarettes hidden in sock drawers, posters of people I didn't recognize on her walls, powders and blue eyeliner pencils scattered across her bathroom. There are sounds; the beat of "The Police" droning out of her headphones while we rode in the backseat together, her laughter at a phone conversation from behind her closed bedroom door, her silence when she refused to speak to any of us on a family vacation. I was on my own little path then, but in each memory, she is always there. Any of you who have ever had a sister knows what I mean-she was always there. My heart hasn't been ready to step back. Now it is.
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